---------- Forwarded message ----------
From: Art&Education <edu-news@...>
Date: 2011/1/4
Subject: Institute for Curatorial Practice in Performance (ICPP): Call for Applications
To: mairavalente@...

Em 4 de janeiro de 2011 19:29, Maíra Vaz Valente <mairavalente@...> escreveu:

 

Aos interessados e que podem ir!
um beijo grande

---------- Forwarded message ----------
From: Art&Education <edu-news@...>
Date: 2011/1/4
Subject: Institute for Curatorial Practice in Performance (ICPP): Call for Applications
To: mairavalente@...

January 4, 2011

	Wesleyan University's Center for the Arts in Collaboration with New York's Danspace Project Institute for Curatorial Practice in Performance (ICPP): Call for Applications Professional Certificate Program Application Deadline: February 1, 2011 http://www.wesleyan.edu/icpp
Share this announcement on:  Facebook | Delicious | Digg | Twitter |
Wesleyan University's Center for the Arts (CFA) has launched the Institute for Curatorial Practice in Performance (ICPP), which brings arts professionals together to re-imagine contemporary notions of how we manage, produce and present performance. The ICPP will examine curatorial tools and practices from the fields of visual arts and performance, in order to better understand and improve upon the ways in which performance is made and produced in this country. Professional Certificate Program Starting in 2011, the ICPP will offer a nine-month professional certificate program in Curatorial Practice in Performance. Students will study artistic and curatorial practice, social and cultural context, and entrepreneurial strategies and complete an independent project in consultation with an advisor. Through a close examination of the practical and theoretical concerns of performance work, graduates of the ICPP certificate program will deepen their knowledge and skill base, enhance their professional relationships, and become better advocates for performance in the marketplace. The certificate is a low-residency, nine-month program intended for early and mid-career working professionals such as presenters, managers, curators, and artists. Students will complete work online in between on-campus intensives at Wesleyan University. Dates for the 2011–12 on-campus intensives are: July 9–24, 2011, November 18–20, 2011, and March 3–5, 2012. Instructors and guest lecturers include ICPP Director Samuel A. Miller, Wesleyan professors Katja Kolcio and Claudia Tatinge Nacimento, and field professionals Doryun Chong of MoMA, Philip Bither of the Walker Art Center, and Judy Hussie-Taylor of Danspace Project. Artists in residence are TBA. Applications for 2011-12 are due on February 1, 2011. Financial aid is available. Responding to Contemporary Performance Practice The ICPP was founded in 2010 by Wesleyan graduates Samuel A. Miller (President of the Lower Manhattan Cultural Council) and Pamela Tatge (Director of the CFA) in partnership with Judy Hussie-Taylor (Executive Director of Danspace Project) in response to the co-existence and cross-pollination of idea- and technique-based performance practice, which has created a dynamic dialog within the performing arts field. The ICPP aims to understand how performance can function within multiple landscapes, by building new models for understanding contemporary performance practice. The ICPP will serve as a meeting-point for academics, professionals, and students to share ideas and resources in both formal and informal ways. By creating a rigorous and creative learning environment, enhanced and energized by the outside activities of its students and instructors, the ICPP will provide students and instructors with a base for their future professional endeavors. Filling a Gap Currently there is no post-graduate program in the United States that addresses curatorial practice in performance. The ICPP looks to fill this gap, as an interest in contemporary performance continues to thrive even as the recent economic recession has hit arts organizations particularly hard. The ICPP is committed to training performing arts professionals who will build on the momentum of contemporary performance by using new information and resources as creatively as possible, while also understanding how historical practices have shaped where we are now. The Institute for Curatorial Practice in Performance Wesleyan University Center for the Arts (CFA) 74 Wyllys Avenue Middletown, CT 06459 (860) 888-3606 icpp@... http://www.wesleyan.edu/icpp

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Maíra Vaz Valente
são paulo - sp/br
+5511.86031774
skype: mairavalente

---------- Forwarded message ----------
From: PERFORMANCELOGÍA: Todo sobre Arte de Performance y Performancistas <performancelogia@...>
Date: 2010/12/15
Subject: [PERFORMANCELOGÍA] ]performancespace[ ARTIST CALL OUT / London, UK
To: performancelogia <performancelogia@googlegroups.com>

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Has recibido este mensaje porque estás suscrito a
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---------- Mensagem encaminhada ----------
De: dudude <dudude@...>
Data: 3 de janeiro de 2011 16:25
Assunto: INSCRIÇÕES ABERTAS - Daniel Lepkoff - Fevereiro 2011 [favor divulgar]
Para:

Thank you for signing the petition urging the US and EU to ban the deadly pesticides that are killing off bees.

The more people join this campaign, the more powerful our call will be. Please help spread the word -- forward this link to friends and family, and post it on Facebook:

http://www.avaaz.org/en/save_the_bees/97.php?cl_tta_sign=bd32d9894c4586a40e74b40c647f8f1f

Thanks so much,

The Avaaz Team

Here's the original email you can forward:

Dear friends,

Silently, billions of bees are dying off and our entire food chain is in danger. Bees don't just make honey, they are a giant, humble workforce, pollinating 90% of the plants we grow.

Scientists increasingly blame one group of toxic pesticides for their rapid demise, and bee populations have soared in four European countries that have banned these products. But powerful chemical companies are lobbying hard to keep selling this poison. Our best chance to save bees now is to push the US and EU to join the ban -- their action is critical and will have a ripple effect on the rest of the world.

We have no time to lose -- the debate is raging about what to do. This is not just about saving bumble bees, this is about our survival. Let’s build a giant global buzz calling for the EU and US to outlaw these killer chemicals and save our bees and our food. Sign the emergency petition now and send it on to everyone and we’ll deliver it to key decision makers:

http://www.avaaz.org/en/save_the_bees/97.php?cl_tta_sign=bd32d9894c4586a40e74b40c647f8f1f

Bees are vital to life on earth -- every year pollinating plants and crops with an estimated $40bn value, over one third of the food supply in many countries. Without immediate action to save bees we could end up with no fruit, no vegetables, no nuts, no oils and no cotton.

Recent years have seen a steep and disturbing global decline in bee populations -- some bee species are now extinct and others are at just 4% of their previous numbers. Scientists have been scrambling for answers. Some studies claim the decline may be due to a combination of factors including disease, habitat loss and toxic chemicals. But new leading independent research has produced strong evidence blaming neonicotinoid pesticides. France, Italy, Slovenia and even Germany, where the main manufacturer Bayer is based, have banned one of these bee killers. But, Bayer continues to export its poison across the world.

This issue is now coming to the boil as major new studies have confirmed the scale of this problem. If we can get European and US decision-makers to take action, others will follow. It won’t be easy. A leaked document shows that the US Environmental Protection Agency knew about the pesticide’s dangers, but ignored them. The document says Bayer’s "highly toxic" product is a "major risk concern to non target insects [honey bees]".

We need to make our voices heard to counter Bayer’s very strong influence on policy makers and scientists in both the US and the EU where they fund the studies and sit on policy bodies. The real experts -- the beekeepers and farmers -- want these deadly pesticides prohibited until and unless we have solid, independent studies that show they are safe. Let's support them now. Sign the petition below, then forward this email:

http://www.avaaz.org/en/save_the_bees/97.php?cl_tta_sign=bd32d9894c4586a40e74b40c647f8f1f

We can no longer leave our delicate food chain in the hands of research run by the chemical companies and the regulators that are in their pockets. Banning this pesticide will move us closer to a world safe for ourselves and the other species we care about and depend on.

With hope,

Alex, Alice, Iain, David and all at Avaaz

MORE INFORMATION

Bee decline could be down to chemical cocktail interfering with brains
http://www.guardian.co.uk/environment/2010/jun/22/chemicals-bees-decline-major-study?INTCMP=SRCH

Bee briefing
http://www.soilassociation.org/LinkClick.aspx?fileticket=RXLEm9WXrHk%3D&tabid=439

$15 Billion Bee Murder Mystery Deepens
http://www.businessinsider.com/colony-collapse-disorder-still-unsolved-lead-researcher-had-connections-to-bayer-2010-10

“Nicotine Bees" Population Restored With Neonicotinoids Ban
http://www.treehugger.com/files/2010/05/nicotine-bees-population-restored-with-neonicotinoids-ban.php

EPA memo reveals concern that pesticide causes bee deaths
http://www.sfgate.com/cgi-bin/blogs/green/detail?entry_id=79910

Beekeepers want government to pull pesticide
http://www.palmbeachpost.com/money/beekeepers-want-government-to-pull-pesticide-1107701.html

British Beekeepers' Association to stop endorsing bee-killing pesticides http://www.guardian.co.uk/environment/2010/nov/16/beekeepers-end-pesticide-endorsement?INTCMP=SRCH

Pesticide industry involvement in EU risk assessment puts survival of bees at stake
http://www.corporateeurope.org/agribusiness/news/2010/11/16/pesticide-industry-future-bees

---

Avaaz.org is a 6.5-million-person global campaign network that works to ensure that the views and values of the world's people shape global decision-making. ("Avaaz" means "voice" or "song" in many languages.) Avaaz members live in every nation of the world; our team is spread across 13 countries on 4 continents and operates in 14 languages. Learn about some of Avaaz's biggest campaigns here, or follow us on Facebook or Twitter.

This message was sent to floresurbanas@.... To change your email address, language, or other information, contact us via this form -- or simply click here to unsubscribe.To contact Avaaz, please do not reply to this email. Instead, write to us at www.avaaz.org/en/contact or call us at +1-888-922-8229 (US).

---------- Forwarded message ----------
From: PERFORMANCELOGÍA: Todo sobre Arte de Performance y Performancistas <performancelogia@...>
Date: 2011/1/8
Subject: [PERFORMANCELOGÍA] Convocatoria de Video-Acciones en las JIAAP / Fecha límite de recepción: 19 Enero 2011 / Sevilla, España
To: performancelogia <performancelogia@googlegroups.com>

--
Has recibido este mensaje porque estás suscrito a
PERFORMANCELOGÍA: Boletín Informativo sobre Arte de Performance.
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---------- Mensagem encaminhada ----------
De: Andrea Helena <andreahdorim@...>
Data: 6 de janeiro de 2011 17:36
Assunto: CONVITE PARA O ENCONTRO INTERNACIONAL DE CONTATO IMPROVISAÇÃO
Para: Andrea Helena <andreahdorim@...>

---------- Forwarded message ----------
From: julio fernández <inauditos@...>
Date: 2010/12/30
Subject: [PERFORMANCELOGÍA] po3ticas para unha vida
To: performancelogia@googlegroups.com

CONVOCATORIA PARA POÉTICAS PARA UNA VIDA, TERCERA EDICIÓN, AÑO 2011

Poéticas para una vida III es un encuentro de poesía oral, experimental y de acción que tendrá lugar en el MUSEO VERBUM (Casa das palabras) en la ciudad de Vigo (España) a lo largo del mes de Abril de 2011. (Fechas previstas: Del 1 al 16)

En esta edición, la organización del encuentro invita a formar parte de él a todas aquellas personas interesadas en participar en cualquiera de los 3 siguientes apartados:

1. ACCIONES PÚBLICAS. Si tienes alguna acción poética que quieras desarrollar en la calles de Vigo, o cualquier otro lugar público y a lo largo de los días que dure el evento (primeras dos semanas de Abril), envíanos tu propuesta para su posible inclusión en Poéticas.

2. VIDEOPOEMAS. A lo largo de los días que dure el encuentro, se proyectarán de manera continuada los videopoemas seleccionados. Además del formato de videopoema, se admitirán otros tales como videoacción, videoperformance, videodanza, etc. siempre y cuando exista de modo latente un uso poético de los medios, de los conceptos empleados o de la realidad misma. Si deseas participarenvíanos tu video indicando tu nombre y dirección, duración del video y cualquier dato relativo a los créditos. Puedes enviar el video en cualquier formato legible y se admitirán envíos a través de yousendit o cualquier otro servidor en la Red para archivos de gran tamaño. Así mismo, existe una última modalidad: el envío del enlace al lugar donde se encuentre alojado el video, pudiendo ser este youtube, vimeo, etc. (La organización no devolverá ninguno de los trabajos enviados por correo).

3. SUTURAS DE ARTE CORREO. Exposición de poemas experimentales. Se enviará una copia en tamaño A4, indicando título, nombre y dirección, bien dentro de un sobre o utilizando el propio soporte postal para la confección del poema. También es posible el envío a través de la red utilizando el correo electrónico. (Todos los poemas recibidos y de acuerdo con el formato solicitado serán expuestos). Uno de los poemas recibidos será elegido por la organización para dar forma al cartel del evento.

Envíos: al correo electrónico  poeticaspara@... , o bien al APARTADO 86, 36200 VIGO (ESPAÑA)

PLAZO: 5 de Marzo de 2011

http://edita-t.com/poesia-accion/?page_id=143

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---------- Forwarded message ----------
From: actionart <info@...>
Date: 2010/12/20
Subject: [PERFORMANCELOGÍA] Newsletter
To: performancelogia <performancelogia@googlegroups.com>

--
Has recibido este mensaje porque estás suscrito a
PERFORMANCELOGÍA: Boletín Informativo sobre Arte de Performance.
Si quieres publicar en este Boletín, envía un email a: performancelogia@googlegroups.com
Para anular tu suscripción a este Boletín, envía un email a: performancelogia-unsubscribe@googlegroups.com
 
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---------- Mensagem encaminhada ----------
De: Nuno Oliveira <cpnintape@...>
Data: 9 de janeiro de 2011 15:01
Assunto: BrP Call for proposals epipiderme-Lisboa
Para: performancelogia@googlegroups.com, brasil performance grupos <brasil_performance@googlegroups.com>, Fado performance Canada <info@...>, iapao <iapao@...>, Inter Le Lieu <infos@...>, Red Accion <redaccion.contacto@...>

---------- Mensagem encaminhada ----------
De: Nuno Oliveira <cpnintape@...>
Data: 12 de dezembro de 2010 11:51
Assunto: Re: BrP Valentim Torrens
Para: brasil_performance@googlegroups.com

2011/1/10 Maíra Vaz Valente <mairavalente@...>

 

pessoal, achei interessante compartilhar, quem tiver fôlego, mais alguns links que foram passados para a a lista brperformance.
beijoca a todos

---------- Mensagem encaminhada ----------
De: Nuno Oliveira <cpnintape@...>
Data: 12 de dezembro de 2010 11:51
Assunto: Re: BrP Valentim Torrens
Para: brasil_performance@googlegroups.com

Olá outras publicações:

Esta editora tem já alguns anos de história de edição de livros especializados em performance.
http://www.inter-lelieu.org/FR/boutique-publications.php

Este Pedagogo Performer é interessante na forma essencialista na forma como aborda as questões da performance:
http://www.bferrando.net/escritos.html

Nuno Oliveira
+infos ultimo epipiderme:
http://www.facebook.com/event.php?eid=174489539247804

Em 12 de janeiro de 2011 16:05, micheline <micheline@...> escreveu:

caros amigos do NAP,

 

aqui uma proposta de curso super interessante para quem se interessa/trabalha entre dança contemporânea, performance, artes visuais e teatro.

O ponto central dos trabalhos : o corpo como objeto de investigação.

 

Encontros com Maíra Gerstner, Luciana Fróes, Janaina Gaia, Daniela Mattos e Micheline Torres

 

Apareçam, divulguem.

Beijos e feliz 2011!

Micheline

 

O artista cênico como dramaturg: desenvolvendo poéticas de alteridade

Curadoria: Maíra Gerstner

Aulas ministradas por: Maíra Gerstner, Luciana Froes, Janaina Gaia, Daniela Mattos e Micheline Torres

Período: 17 de janeiro à 02 de fevereiro de 2011 (segundas e quartas às 19h)

Investimento: R$ 300 (6 encontros) R$60 (avulso)

Local: Escola de dança e Faculdade Angel Vianna ( Rua Jornalista Orlando Dantas, 02 - Botafogo -  Rio de Janeiro - RJ, (0xx) 21 2552-0139) 

O dramaturg aparece nos processos de criação cênica como aquele que mapeia, constrói estratégias. É aquele que está "entre". Aqui sua figura é inspiradora no sentido da elaboração de uma práxis cênica tendo em vista o outro e ao mesmo tempo, a dimensão performativa de exercícios tidos como preparatórios.

17/01

“Os limites entre jogo e cena: apresentando o artista cênico como dramaturg”

Por Maíra Gerstner

 

Alguns exercícios de “aquecimento” já carregam em si alguns elementos cênicos. Como é possível desdobrá-los? Também serão discutidos os conceitos de teatralidade e performatividade criados pela autora Josette Féral e de que maneira eles podem acontecer cenicamente.

 

19/01

“Criar com por”

 Por Luciana Froes

 

Busca de relações entre espaço, corpo e voz a partir de escolhas realizadas por cada um no ato da criação: variação entre interno/externo, noção de preenchimento; investigando a construção de um lugar no qual o artista possa estar conectado por inteiro.

 

24/01

“DRAMOV”

Por Janaina Gaia

 

DRAMOV é um conceito criado por Janaina Gaia e Rodrigo Gerstner que sintetiza a exploração entre ação dramática e movimento. A idéia é poder dilatar a perspectiva da cena e do estar em cena, na medida em que se pesquisa dramaturgia do movimento decorrente da fusão entre a dança e o teatro como um processo de investigação contínuo do corpo e do fazer artístico.

 

26/01

“Performatividade como dispositivo poético”

Por Daniela Mattos

 

Serão apresentados artistas que estendam sua criação para o campo textual, em forma de proposições e partituras de performance. Depois, os participantes serão convidados a desenvolver esboços de performance com base nas partituras e textos de artistas apresentados e em suas próprias pesquisas.

 

31/01

“Corpo-Performance”

Por Micheline Torres

 

Baseada em princípios do treinamento físico de ator proposto por Grotowski e em diversas técnicas de dança contemporânea que Micheline Torres experimentou no Brasil e na Europa,  o encontro trabalhará o corpo em seus limites e expansões, experimentando maneiras individuais de colocar o corpo em cena. 

 

02/02

“Elaboração de cartografias cênicas: desenvolvendo poéticas de alteridade”

Por Maíra Gerstner

 

Será realizado um mapeamento das experiências dos dias anteriores e assim serão trabalhadas diversas possibilidades de construções cênicas, constituindo uma grande cartografia a partir do que foi vivenciado. Depois, os participantes serão convidados a criar suas próprias poéticas de alteridade, tendo em vista as questões trabalhadas durante o curso e as suas próprias questões artísticas.

--
Micheline Torres
www.euprometoistoepolitico.com
www.sweetandtender.org
http://michelinetorres.multiply.com
skype id:michelinetorres

Em 12 de janeiro de 2011 22:10, micheline <micheline@...> escreveu:

Claro, Flavio!

Vamos seguir neste plano, "trabalhando para melhor servi-lo!"

; )

um beijo,

 

Micheline

 

----- Original Message -----

From: Flávio Rabelo

To: nucleoabertodeperformance@...

Sent: Wednesday, January 12, 2011 7:49 PM

Subject: Re: [nucleoabertodeperformance] o artista cênico como dramaturg na angel vianna

 

poxa, muito bom mesmo; parabéns!

que tal trazer pra sampa depois?

beijos

--
Flávio Rabelo
_________________
www.zecoraura.com
www.medea.tv

Em 13 de janeiro de 2011 10:14, Maíra Vaz Valente <mairavalente@...> escreveu:

 

Opa!

desafio aceito?

eeeeeeeeeeeeeeeeeeeee,

Rio-São Paulo juntinho!!!

 

beijocas

Em 12 de janeiro de 2011 22:10, micheline <micheline@...> escreveu:

Claro, Flavio!

Vamos seguir neste plano, "trabalhando para melhor servi-lo!"

; )

um beijo,

 

Micheline

 

----- Original Message -----

From: Flávio Rabelo

To: nucleoabertodeperformance@...

Sent: Wednesday, January 12, 2011 7:49 PM

Subject: Re: [nucleoabertodeperformance] o artista cênico como dramaturg na angel vianna

 

poxa, muito bom mesmo; parabéns!

que tal trazer pra sampa depois?

beijos

--
Flávio Rabelo
_________________
www.zecoraura.com
www.medea.tv

--
Maíra Vaz Valente
são paulo - sp/br
+5511.86031774
skype: mairavalente